“Two lost souls striving to capture that unworldly world only manifested in dreams,” photographic duo Antidote and Infamy take their equipment into the urban darkness to shoot ghostly images of city nightlife.
 

Concern about the environment is rising, but how can you practically reduce your carbon footprint?  Delboy talks to Jonathan Stevens and Oliver King, who are working to improve their own eco-credentials.
 

Crushed cans of Carling lie fill up with rainwater in the gutter, handbills are turning to papier mâché.  You get on tiptoes, stick your fingernails between paper and board and, with painstaking slowness, try to peel the whole sheet off in one.  Everyone loves a rock poster.
 

Chicken Soup For Satan… My Brain Escapes Me… Sickcom…  All titles spawned from the mind of Robert Rhine, the horror writer, TV show producer and deaditor-in-chief of the self-described Maxim-meets-Dawn Of The Dead magazine, Girls And Corpses.
 

It starts suddenly, a low rumble on Boulevard Péripatique and the thump of changing gears.  The Arc de Triomphe looms, and for a few brief seconds it looks like the camera is going to power between the massive legs.
 

Every Monday in the G2 section of the Guardian, there is a cut out and keep page containing a compendium of all the reviews of the past week’s major cultural events. All of the major daily and Sunday broadsheets’ reviewers and their reviews are collated and pulped into snappy soundbites. I suspect this has been created to help out a person of an intellectual bent if they are asked for an opinion on a film, play or art installation they have somehow missed.

Tina Louise wears her heart on her sleeve. The much-travelled poet and activist, originally from London and now living in the north of England, has chosen a simple symbol to register her protest.

One should always be wary when bands describe themselves or their sound as ‘uncategorisable’. It might indeed be the case that they are unable to squeeze themselves into a particular genre, and are truly at the head of taking particular influences and adding their own developments to previously known forms.

“Imagine that as a Sun headline: ‘Ambiguous Boardgame Subverts the Accepted Paradigm by Refusing to Offer Answers!’ Looking back, I’m not surprised that they went for the angle they did.”  But then, Andy Tompkins and Andy Sheerin could hardly have anticipated anything but vitriol when they started taking orders for War On Terror – The Board Game.  Could they?

Friday nights and pub quizzes; two bastions of contemporary English culture.  Crisps and peanuts in a bowl.  Teams of varying sizes sit huddled around pieces of paper.  All of these constituent parts are present at tonight‘s event.  However, this quiz is not taking place at the Laughing Windmill, but within the luxurious setting of the Tate Britain as part of the Late at the Tate series.  

Small Fish Online presents:

THROUGH DARK GLASSES

By Joe Silva

“Picasso didn't paint Guernica for a laugh, you know,” says Jonathan of the UHC Collective. “The line between artists and activists has always been blurred. In fact, it’s probably deeply counter-revolutionary to suggest there was a line in the first place.”  Since its foundation in 2002, Manchester-based UHC has been proudly deconstructing that grey area.